Introduction: The creative worlds of Joseph Joachim / Robert Whitehouse Eshbach
1. "Of the highest good": Joachim's relationship to Mendelssohn / R. Larry Todd
2. Joseph Joachim and his Jewish dilemma / Styra Avins
3. Joachim and Romani musicians : their relationship and common features in performance practice / Mineo Ota
4. Joachim's violins : spotlights on some of them / Ruprecht Kamlah
5. (Re-)enchanting performance : Joachim and the spirit of Beethoven / Karen Leistra-Jones
6. "Thou that hast been in England many a year" : the British Joachim / Ian Maxwell
7. Joachim at the Crystal Palace / Michael Musgrave
8. "Music was poured by perfect ministrants" : Joseph Joachim at the Monday popular concerts, London / Therese Ellsworth
9. "Das Quartett-Spiel ist doch wohl mein eigentliches Fach" : Joseph Joachim and the string quartet / Robert Riggs
10. Professor Joachim and his pupils / Sanna Pederson
11. Performers as authors of music history : Joseph and Amalie Joachim / Beatrix Borchard
12. At the intersection of performance and composition : Joseph Joachim and Brahms's Piano Quartet in A Major, Op. 26, Movement III / William P. Horne
13. Re-considering the young composer-performer Joseph Joachim, 1841-53 / Katharina Uhde
14. "Franz Liszt gewidmet" : Joseph Joachim's G-minor Violin Concerto, Op. 3 / Vasiliki Papadopoulou
15. Drama and music in Joachim's Overture to Shakespeare's Henry IV / Valerie Woodring Goertzen
16. "So gleams the past, the light of other days" : Joachim's Hebräische Melodien for Viola and Piano, Op. 9 (1853) / Marie Sumner Lott
17. Tovey's view of Joachim's "Hungarian" Violin Concerto / Robert Riggs.