Although it may seem radical even to attempt a silent version of a Shakespeare play, such films were frequently made throughout the 1910s. This adaptation of King Lear had the advantage of starring Frederick Warde, who was renowned for his many stage performances as Lear. Warde is seen in rare form here as he inhabits the character with particularly expressive physicality. This cinematic classic from 1916 has been lovingly restored and features an...

An aromatic stew of biography and local color, this program will give viewers a sense of the London and Stratford of Shakespeare's time. The section on London visits 18 major sites associated with the Bard and his plays, including the Tower of London, St. Paul's Cathedral, the Middle Temple for law students, George Tavern, Southwark Cathedral, and the Globe Theatre site. The section on Stratford conjures up the presence of young Will through a journey...

A journey into Hamlet the play and the man, through the experiences of the major actors and directors who have brought the play to life. Filmed at the Royal Shakespeare Company, Stratford-Upon-Avon, in London, Canada and Italy, featuring Christopher Plummer, Sir Trevor Nunn, Franco Zeffirelli, John Nettles, John Simm and David Tennant.

First published in 1951. The edition reprints the second, updated, edition, of 1977. When first published this book quickly established itself as the standard survey of Shakespeare's imagery considered as an integral part of the development of Shakespeare's dramatic art. By illustrating, through the use of examples the progressive stages of Shakespeare's use of imagery, and in relating it to the structure, style and subject matter of the plays, the...

Shakespeare Studies in Colonial Bengal: The Early Phase represents an important direction in the area of historical research on the role of English education in India, particularly with regards to Shakespeare studies at the Hindu College, the first native college of European education in Calcutta, the capital city of British India during the nineteenth century. Focusing on the developments that led to the introduction of English education in India,...

"Shakespeare's two Venetian plays are dominated by the discourse of embarrassment. The Merchant of Venice is a comedy of embarrassment, and Othello is a tragedy of embarrassment. This nomenclature is admittedly anachronistic, because the term "embarrassment" didn't enter the language until the late seventeenth century. To embarrass is to make someone feel awkward or uncomfortable, humiliated or ashamed. Such feelings may respond to specific acts of...

First published in 1957. This book finds discovers what the sources to Shakespeare's Comedies and Tragedies really were, considers the dramatic reasons for Shakespeare's departure from them and provides many examples of the way in which he made use of his general reading for particular scenes and speeches. Kenneth Muir shows that Shakespeare frequently uses more than one source and sometimes as many as eight.