Part 1: Autobiographical Reflections. The Rabbit Hunt: Excerpt from A Touch of Innocence -- The
... Closed Room: Excerpt from A Touch of Innocence -- Excerpt from Journey to Accompong -- Excerpt from Island Possessed -- Prologue: Excerpt from "Minefields" -- Survival: Chicago after the Caribbean: Excerpt from "Minefields" -- Early New York Collaborations: Excerpt from "Minefields"Part 2: Dunham the Woman: Scholar, Artist, Activist. The Lost Ten Years: The Untold Story of the Dunham-Turbyfill Alliance -- Miss Dunham is Sensation in Hatian Dances -- The Negro in the Dance, as Katherine Dunham sees Him -- La Boule Blanche -- L'ag'ya of Martinique -- Designing Dunham: John Pratt's Method in Costume and Decor: An Interview with John Pratt -- Katherine Dunham's Notable Contribution -- Thesis Turned Broadway -- The Negro Dance -- An Amazing Aura: Interview with Katherine Dunham -- Modern Dance Owes a Lot to Lovely Katherine Dunham -- Collaborating with Balanchine on Cabin in the Sky: Interviews with Katherine Dunham -- A Talk with Katherine Dunham -- Better Race Relationships Hoped by Seattle Dancer -- Dunham Weary of Hotel Trek -- Comment to a Louisville Audience -- Watching Dunham's Dances, 1937-1945 -- Goombay -- Thirty Days among Maroons -- On Stage with the Dunham Company: An Interview with Vanoye Aikens -- The Dance in the National Youth Administration -- Bal Negre Program -- Schoolmarm Turned Siren or Vice Versa -- Caribbean Backgrounds Program -- Katherine Dunham Raises Primitive Dance Art to New Heights of Sophistication -- Katherine Dunham, Observed in London -- Touring Europe with the Dunham Company -- Katherine Dunham and Us -- Performing the Memory of Difference in Afro-Caribbean Dance: Katherine Dunham's Choreography, 1938-1987 -- Southland Program: A Dramatic Ballet in Two Scenes -- Katherine Dunham's Southland: Protest in the Face of Repression -- An Anthropological Band of Beings: An Interview with Julie Robinson Belafonte -- Foreword to Katherine Dunham's Dances of Haiti -- Katherine Dunham: An Appreciation -- Notes on Dances for Aida -- The Caribbean Islands Now and Then -- Caribbean Tourist Tips -- Getting the Show on the Road: An Excerpt -- Plan for an Academy of West African Cultural Arts -- Address Delivered at the Dakar Festival of Negro Arts -- Dunham Jailed Following Protest -- Katherine Dunham -- Her Careers are Manifold -- The Dance with DeathPart 3: Stories and PoemsCome Back to Arizona -- Afternoon Into Night -- Baio -- Beguine -- The Babies of Biafra -- Charite: Excerpt from "Elifait" -- The Marketplace at Petionville: Excerpt from "Elifait" -- The Census Takers: Excerpt from Kasamance.Part 4: Dunham TechniqueInterview with Katherine Dunham -- Katherine Dunham School of Arts and Research: Brochure, 1946-1947 -- The Dunham Schools -- Dunham Technique Seminars -- Dunham Technique: Barre Work and Center Progressions -- How She Bagan Her Beguine: Dunham's Dance Literacy -- Form and Function in Primitive Dance -- The Anthropological Approach to the Dance -- Notes on the Dance -- Need for Study of Dances of Primitive Peoples -- Dunham Technique: Prospectus -- The World in Dance and Ritual: World Dance Film Project -- Focal Rites: New Dance Dominions -- Dance as a Cultural Art and Its Role in Development.Part 5: Preserving the LegacyPerforming Arts Training Center as a Focal Point for New and Unique College or School -- Cultural Fusion and Spiritual Unity -- Institute for Intercultural Communication -- Katherine Dunham Museum -- Honoring Katherine Dunham, 26 May 1976 -- Dunham 101: An Interview with Glory Van Stott -- The Kennedy Center Honors -- Dance's Dynamic Duo: Alvin Ailey in Collaboration with Katherine Dunham -- Ailey Does Dunham -- The Jamaican Connexion -- The Yoruba Orisha Tradition Comes to New York City -- Katherine Dunham, a Pioneer of Postmodern Anthropology -- Katherine Dunham: One-Woman Revolution -- Instituting Dunham Read More
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